Saturday, January 20, 2018

A Tiny Glitter Village

Hi everyone! Are you tired of winter yet? I know I'm looking forward to the daffodils peeking through the snow but that won't be happening for a while. In the meantime, I enjoy having a few winter decorations up for a month or two. We don't have a mantle at our house so I've never really had a place to set up a glitter village but I adore them so decided to make one in miniature using the GSL Tiny Plant Table
This one is so simple to put together, just 5 pieces!
I decided the stand should be white to enhance the snowy scene so gave  each piece a few coats of white acrylic paint on both sides then assembled the piece using tacky glue. 

Using an X-Acto knife I cut tiny house shapes from polymer clay and used a square match to indent windows and doors before baking them off.

I also rolled out some cone tree shapes and dug out my stash of nail art supplies, aka polymer cane flower slices, to give the houses a bit of decoration.  You can find these in nail supply stores and on Amazon. 

After baking, I applied a thin coat of tacky glue on each piece then tossed them into a container of superfine glitter to get them nice and sparkly. When the glue was dry, I added a bit of chunkier crystal glitter onto the rooftops for some sparkly snow.
They were then glued onto the top of my assembled table to form a tiny village.


I wanted to make sure not to get glitter on the sides of the table so I used painter's tape as a barrier before coating the village floor with a thick coating of tacky glue. Then came the fun part.... dumping a LOT of crystal glitter to make a thick blanket of snow!

To finish the look, I used some of the GSL Snowflake Shape Set Minis as a decoration. I got white acrylic paint into the little crevasses using a soft bristled brush.

When the paint was dry, I applied a thin coat of white glue and tossed them into the same superfine glitter to give them some sparkle.
I glued them onto the front of the winter scene and finished it off with a bit of blue bling. 
Once it's fully dry, tap off the excess glitter and enjoy your winter wonderland!



Gypsy Soul Laser Items Used
Tiny Plant Table

Other Items Used
White acrylic paint
Tacky glue
Polymer clay
Polymer clay cane slices
Superfine glitter
Crystal glitter
Rhinestone
Painter's tape


Friday, January 19, 2018

Valentine Doll House

Hello and happy Friday!! It's Jennalee here today. I love Valentine's crafting, the pink and red make my heart happy. This project doesn't have any pink in it but the bold red and black were fun to experiment with.



I started with the Mini House Shadow Box 3. I thought it would be fun to make a "doll house" and have the house be the doll's body and contain a heart full of love.


I started by painting all pieces of the Mini House Shadow Box 3 with black gesso. 


I then cut a template out for the main wall of the shadow box. I cut out a piece of white cardstock slightly larger than my template. Using a black sharpie and a messy cursive strip I wrote out 'I Love You' repeatedly across the paper. I also did this for strips to cover the outer roof of the shadow box. It was a nice meditative exercise to write out such sweet words. 


I then cut strips of black and white polka dot scrapbook paper to cover the rest of the shadow box walls. I ran all the pieces thru my Xyron. It makes for super easy application. 



To finish off the inside of the house I heat embossed the floor with a red glitter embossing powder before assembling the Mini House Shadow Box 3. Using foam dots I attached a red glitter heart in the middle of the shadow box. I stamped and colored a paper doll and attached to the back of the house. I will admit this project took on a life of its own as I went, but sometimes the process of making is the more fun than the end result. 

I hope you all find some creative time this weekend!! Happy Creating ~Jennalee



GSLCuts item used:
Mini house shadow box 3

Thursday, January 18, 2018

Ode to a bumble bee . . .


Hi Everyone. With one of the coldest winters in recent history hitting half of the country, I'm thinking spring.

Starting with a chunky ATC blank, I papered the ATC before reaching for the Gypsy Soul Honeycomb and Queen Bee ATC Size laser cuts.


After choosing paper for the ATC, I attached apiece of the honeycomb to the front of the ATC. It was first painted copper with a PenTouch pen, then I added a bit of Prima's wax on top.


I used a tiny shadowbox houses 4, papered the inside and added silver foil to the inside walls.


Once the pieces of the shadowbox were glued together, I added copper German scrap paper to the outside edge and adhered the shadowbox to the ATC.


The last steps were adding the crown and bee, also colored with PenTouch and Prima waxes, to the front of the box. Of course, the bee needs a few flowers.


Thanks for visiting the Gypsy Soul Laser Cuts blog today.
See you in a couple of weeks!

Wednesday, January 17, 2018

A Soulful Journey

Hi everyone, today I am sharing "a soulful journey" with you.
Some of the first Gypsy Soul laser cuts I was drawn to were the triptychs. I have always been in awe of antique triptychs. Growing up, we had a few prominently displayed in my family's home that had been passed down through the generations. Many of these were religious; however, more and more nowadays I notice a number of mixed media artists utilizing triptychs as a canvas for all types of art, both secular and religious. I am excited to share my altered triptych with you.


The Triptych - Towers Top is comprised of 6 pieces. Each of the three components has a solid back and a frame front.

 

When I look at the design of the towers top arched frame, I envision a bronzed and copper patina. I set about creating this with some of my favorite embossing powders. I coated each framed top piece with embossing ink and covered it with Emerald Creek burnt copper leaves powder. Before heat setting it, I sprinkled a pinch of turquoise antiquities embossing powder by Ranger in various spots. I then heat set the powders. I wanted a varied texture, so I only heated it all the way smooth in spots and other portions are only partially melted creating a bumpy surface.


Once the frame pieces were completed, I set about selecting a background paper for the three openings. I selected a paper from Tim Holtz Menagerie paper stash that I felt complemented the frame and had plenty of depth to set off the accents that I will be adding to each opening. I traced the outermost edge of each frame onto the paper and fussy cut them out. 


When the papers were placed between the frame and backing piece, I felt that the uppermost portion that has open framework needed to be brighter. I was hoping to end up with a "glowing" effect. To achieve this, I traced the boundaries of the open framework onto the paper while the top piece was in place, then I removed the uppermost triptych frame pieces and painted the outlined area with Dina Wakley acrylic paint in penny. I also painted the innermost edge of the "frame" to give the appearance of added depth when it was put back together as well as to tie the upper areas to the lower. I try to use similar colors throughout a project so that it all ties together when it's complete.  


Once the frames were done, I set them aside and painted the backsides of each of the triptych's solid back panels. I first painted a layer of Distress paint in walnut stain and then went over it with a dry brush and a small amount of the penny acrylic paint. I also painted the front edges of these panels just in case they did not align perfectly when I put them together (since I will have multiple layers in between.)


I glued 1-5/8" long antique bronze colored hinges to the triptych backs and allowed them to dry before I adhered the painted and inked papers. In order to ensure that the hinges lined up and that the triptych would be level when placed upright, I used a straight edge below all three backs to keep them in place. I marked the location for the hinge placement and then measured the correct distance on all pieces. Although the hinges have holes to be screwed in place, for my purposes, I simply used a strong multi-purpose glue.


I then began work on the inner areas. Using Hero Arts manuscript background stamp, I lightly inked with Brilliance cosmic copper metallic ink, and I stamped the script design to the paper backing piece. I did this to all three papers, randomly inking areas of the stamp to simply add some interest instead of the solid stamp image. The metallic ink blends nicely, and reflects the light when viewed from different angles. I inked all the paper edges with walnut stain distress ink as well as some areas on the front face of the paper.


Next I die cut three ironwork gates from heavy weight cardstock with the Tim Holtz Sizzix gothic gate die, each of these were inked with an embossing ink dauber and coated with Emerald Creek burnt copper leaves embossing powder, then heat set to a smooth finish. I painted some highlights on the embossed fence with the penny acrylic paint once they had cooled. These gates were placed behind the triptych frame front, trimmed to the correct size, and then glued in place.


While the ironwork pieces were drying, I stamped a Character Constructions Doll stamp from the Timekeepers Garden collection on watercolor paper. I colored her with distress inks, Copic and fine tip Steatdler markers. I also stamped butterflies from the Stampers Anonymous flutter collection on watercolor paper. I reduced the size of the stamps on my copier and colored those in as well. I then fussy cut the butterflies and die cut the doll stamp. These pieces will be located on the open areas of the triptych.


Now it was time to assemble the piece. I glued each piece of background paper to the respective back panel, covering the hinge flanges. Each of the side frames (with ironwork embellishment intact) was then placed over their respective back panel and glued in place. Since I had multiple layers between the two chipboard pieces, I made sure to put a heavy weight on top of them while they dried.


I adhered the colored butterflies, as well as a small key for her hand. Lastly I added a Tim Holtz word band that has been dabbed with gold and mushroom alcohol ink. I felt that this sentiment was a perfect finishing touch. I used leather cording and secured it around the bottom of the middle triptych panel.


I hope that you are inspired to create something in this new year.
~Ann

Gypsy Soul Laser Cuts used:
Triptych - Towers Top

Tuesday, January 16, 2018

I Will Always Love You.....

Somethings in life never change. Like a sweet tooth. Chances are, if you started out with a sweet tooth, you'll always have one.
Some of us enjoy our penchant for a decadence a little more robustly than others.
Take me for example...I am never happier than when I have a good book and a box of chocolates.
And maybe a bubble bath.
And possibly a glass of champagne.
And don't forget the massage.

Here's a sweet little valentine for all of us hedonists.
 I started out with a coat of gesso on both pieces of the Reliquary-Arch Top and then painted it white.
You can also see in the picture above the image I chose for my inspiration. She is from a painting called 'La Simplicite' by Jean-Baptiste Greuze (1759) and I've used her a couple of times with a similar theme, mainly because I like her expression, but also because her eyes are looking in the direction I like to place things.
The little cake came from a scrap from a collage sheet by Sandy Gordon.
I cut my background paper (I changed my mind and used green but didn't photograph it) and glued it in place. Notice I didn't cut it to the edge of the back piece. I cut it so that the paper edge would be hidden by the front piece, but small enough so that the paper edge wouldn't show when both back and front are glued together.
Do not glue the front and back together yet.
I cut my image being mindful of edges showing, place it where I liked it and then glued it in, checking to see if the top fits well and no bits that aren't supposed to show are sticking out. Then I glued the top piece of the reliquary on, making sure all the edges of the top and the bottom line up.
I glued my little cake in........
And then started adding the details....like little pink and white dots and sparkly bits. A pretty flower and of course, glitter!
The bottom piece with the sentiment (which was written in Illustrator and then printed on cardstock) is from the Stackable Labels Shape Set which I painted pink, added the phrase, glitter and a couple of flower petals and glued it on the bottom of the reliquary.
I doubled over a white ribbon and glued it on the back to use as a hanger and then glued a pretty flower image on top to cover up the raw edges of the ribbon. I added some pink paint and glitter to the front of the ribbon for a little extra bit of charming detail.

Happy Valentine's Day!

Supply List:
Reliquary-Arch Top
Stackable Labels Shape Set

Additional Supplies
Wite paint Pink Paint
Gesso
Stickles Glitter Glue (Diamond)
Silk Flower
1 Inch White Ribbon
Collage Image (cake)
Aleene's Fast Grab Tacky Glue
Pink Heart Glitter

Thank you very much for visiting!
Lora Mahaffey for Gypsy Soul Laser Cuts









Monday, January 15, 2018

I'm a bad girl...

Hi Everyone,
Jess here today.

Well, I didn't plan to do two reading themed items this month, but it happened.  I'm a huge reader.  It's not often that I am not in the middle of a book.  Any reader will tell you that they always need bookmarks.  Yes, I've used napkins, receipts, post it notes, and other random bits of paper to mark my pages.  I wanted to make a little something nice to actually mark my page.

I covered one of the Extra Large Chipboard Tags using vintage card catalog cards.  The edges were embossed just to add a little bit extra.
I painted my Medium Circle Border using Distress Paints and glued it on my tag.  
I added the vintage image and verbiage using foam tape.  Since the circles make the background uneven I used different layers of tape to make the image flush.  
Easy and now I can mark my book nicely! 
Jess