Friday, February 23, 2018

Love and Cherish cards set with Alicia Barry

Today I have created a sweet card set using stackable labels, words and leaves from Gypsy Soul Laser Cuts. I started with some vintage style background papers from the same collection, but in two different colour schemes. This means that they will co-ordinate together, but each stands alone as a piece of art.




 I wanted to create layers and dimension on the cards along with some texture, so to create this I have treated each chipboard layer with a different technique. The first layer of the Stackable Labels Shape Set pieces are inked with brown distress ink. This creates a matt finish that is fairly subtle. (tip: if you want to create a more vibrant colour effect using ink, paint the piece with gesso first).



The next layer is the plain label centre. For this I covered the piece in the same patterned paper as the background. This helps to create a cohesive flow across the project.

The next layer is the word from the 10 Words set. For this I used dimensional pearlescent paint which I painted on directly using the nozzle to ensure complete coverage. I kept the paint fairly think, and by pushing it around with the nozzle, I was able to create a great textured finish, along with the shimmer of the paint.



 The final layer was the Skeleton Leaves. This set is great value, as you can use the leaves as a full branch as seen, or separate them for a bunch of individual leaves. These were done as  a combination of the other techniques. First I applied ink to give some background coverage. I then added dimensional paint in two different shades, except this time I swiped it on with my finger to achieve a more variegated look. Finally I added some clear glitter glue across the top, before slightly shaping each piece and adhering to the card. You'll notice that the rest of the card design is deceptively simple allowing the eye to focus on the chipboard cluster which I created off centre to make interesting use of the residual negative space.




Supplies used:

Thursday, February 22, 2018

Steampunk Style Butterfly Specimen Box

Hi everyone!  Barbara here today on the Gypsy Soul Laser Cuts blog.  I'm in a steampunk kind of mood, and so today, I want to share what reminds me of an olde-time specimen box, where pretty bugs, butterflies, and other winged things are displayed.  So I have made a video tutorial with my step-by-step directions for putting this all together.


CLICK HERE TO SUBSCRIBE TO MY CHANNEL

Supplies Used:

GSL Square Shrine Shadowbox
GSL Butterfly of Gears
GSL Gates Shape Set
GSL Layered Border Victoria Small
Liquitex black gesso
Liquitex white gesso
Miss Lillian's Metal Smith paints
  Iron
  Malachite
  Bronze
  Rusty Activator
  Green Patina Activator
  Azure Embellishment Butter
  Sienna Gold Gilding Jewels
  Moss Gilding Jewels
Wooden Finial (Tim Holtz)
Aleene's Fast Grab Tacky Glue
White PVA glue
Tyvek envelope (2 pieces - 3/4" x 3-1/2")
Heidi Swapp Marquee Love paper roll
Metal gears embellishments (Hobby Lobby)
Wooden Alphabet Beads (Explorer/Hobby Lobby)
Wooden Finial (Tim Holtz)

I hope I have been able to inspire you to make one of these grungy looking specimen boxes, and be sure to visit Gypsy Soul Laser Cuts for a huge selection of fine laser cut chipboard.  I also hope you will consider subscribing to my channel to keep in touch and never miss a new tutorial.

Thanks so much for stopping by, and have a wonderfully crafty day!

Barbara

Wednesday, February 21, 2018

Her Industrious Soul

Hi everyone, it's Ann and I am sharing something a little different with you. From the moment I saw this Gypsy Soul Laser Cuts art doll form, I had envisioned her in an industrial/steampunk fashion. What I was thinking was very different from my usual style, but I generally tend to go with an idea once I am inspired and modify, as needed, along the way...


I begin by removing pieces from the Gypsy Soul Laser Cuts Art Doll Female - small card. Next, I cover each body part with collage medium and adhere Little Women text paper to one side. I find that positioning the pieces as a complete shape helps ensure that the paper is adhered to the correct side.
After the collage medium has dried, I use an exacto knife to trim the excess paper from the doll form pieces. I then coat the back side of each piece with embossing ink and cover with charred gold embossing powder. The powder is melted with a heat gun. 
While I have the embossing supplies out, I also heat emboss some pieces from the GSLC Steampunk Shape Set in charred gold, hammered metal, and vintage platinum embossing powders. I am considering using these pieces on the finished doll.
Once all the pieces are embossed, I begin to work on a background. I want to create something that resembles rusty or oxidized patina. In order to achieve this, I use Distress Oxide inks in walnut stain, cracked pistachio and spiced marmalade. The inks are smooched onto my craft mat, spritzed with water and then heavyweight paper is inked and heat set repeatedly. When I have achieved the desired finish, I splatter the page with distress ink in walnut stain. Lastly, I spritz the page with Tattered Angels Glimmer Mist in patina.
This paper will be centered in a large Idea-ology vignette tray, above a piece of "riveted metal" textured paper that I created using a Tim Holtz Sizzix embossing folder, Copper colored Kraftcore cardstock and Distress paint in black soot.
 When I begin to layout the pieces on the background, I decide that I would like the industrious soul to have a petticoat beneath her cage crinoline framework. After consideration over materials, I decide to add a lacy feminine touch with a doily, die cut from a piece of sage parchment paper, that has been inked with Distress inks in walnut stain and ground expresso.
Once I have settled on all of the pieces I will be using, I begin to adhere everything into place with a strong glue. Since the pieces are arranged in a layered fashion, the process requires patience while each layer dries prior to adding the next. Everything is glued into place on the patina paper. 
  I trim the lace petticoat to fit beneath the cage crinoline. The cage is held in place with an Idea-ology word band. The band has been bent with a pair of wire shaping nylon jay pliers, and each side is secured with a piece of hemp cord that has been colored with walnut stain ink. The ties secure at the back side of the panel, accessed via 1/8" eyelets.
Once the cage is securely in place, the entire piece is attached to the "riveted metal" background that has been adhered inside the vignette tray.
Some Idea-ology industrious stickers as well as metal hex head fasteners to the top left and bottom right corners of the vignette tray complete the piece. 


Thanks for taking time to check out all the details of her industrious soul.
Hope you find time to create something.
~Ann

Gypsy Soul Laser Cuts used:
Art Doll Female
Steampunk Shape Set

Tuesday, February 20, 2018

Fold Out Books.....Part One: Construction and Hinging

Hello all! Lora here with a special two-part post on making your own awesome fold-out books with one of my favorite things on the Gypsy Soul Laser Cuts site...
Arch Top House Silhouettes!
I love this little chipboard piece of joy.

There are so many wonderful things you can make with this. My favorite is, of course, fold-out books.
Yay, fold-out books!
I get a lot of questions about how to make them, so in the first installment of this blog post, I am going to show you how fun and simple the actual construction of the book is and the reasons I build them the way I do.
The Arch Top House Silhouettes come in a set of three, but I generally like making books with five to seven panels, so getting two, three or even four sets is a good idea...you can  make at least a couple different length books and have some options.
Here are a couple of examples......
A three panel:
And a seven panel:
And here is the start of a two panel in progress:
What I am going to demo for you now is a five panel Fairy Fold-Out Book.

I began with five of the Arch Top House Silhouettes panels. (I previously thought I'd do a seven panel book but changed my mind, hence the picture of seven pieces)
I used one of the panels as a template and drew around my chosen papers and cut them out.
A quick note on how I choose papers.....
If you notice in the two completed books above, there is a bit of symmetry going on with the paper choices. I tend to like my books with odd number panels which allows for a central panel that can either be a feature or can blend in with the rest of the book, depending on the subject.
I usually choose to make the center panel a different color the rest of the book. The outside panels are usually the same color (they can be different patterns but they 'read' the same color) and the next two in are usually the same color way as each other and so on. I think this creates a harmonious base or commonality that you can then create a bit of chaos on and everything still feels like it fits together. (More on this as we go further into composing the layout)

After the papers are cut out, I carefully lay out my plain panels on a grid, making sure the bottom edge of each one lines up with the other and that there is a space of about 1/4 inch between panels. This space allows you to fold the book easily and gives you some leeway for layering and stacking components and ephemera. If you are using very thick elements on every panel consider spacing the panels further apart.
 When I am sure everything is lined up, I measure out a piece of linen hinging tape You can get this on Amazon...I use Lineco) slightly shorter than the length of the book and gently lay it on as straight as possible, making sure the tape is centered between the straight edges of each panel. You can correct the alignment at this point because you haven't pressed the tape down yet. Adjust if necessary and press the tape down.
Now turn the book over and do the same thing again, making sure you get the tape to stick to the other piece as it goes between the panels. I sometimes use a little ruler to press it down into the sticky bit of the other tape.
Double hinging tape makes the book strong and keeps the paper you will put on the panels from peeling off the book with rough handling.

After the taping is done, I glue on my papers. I use a scoring tool that I lightly scrape across the top of the panel to evenly distribute the glue and then wipe the excess away with a paper towel. I have used any flat object to get glue to adhere...pencils, ruler edges...just make sure it is smooth or you will tear your paper! A brayer also works really well.
I also tear a paper towel into small squares...less waste and easier to deal with.
I let the panels dry and give everything a quick sanding. You don't have to do this, but I prefer to as I like the way the edges look and it takes away any excess paper from over cutting. Just make sure you don't sand your hinge.
I ink up the edges of my book panels...
 Now that you have the basic construction of your book done, the fun really begins!
NEXT POST: A wee bit on Color, Collage and Composition to make your book pull together.
Stay Tuned!



Monday, February 19, 2018

Salvaged Heart


Hi Everyone,
Jess here today with a fun shabby chic project.
This was really simple to put together.  Start by covering both sides of  your Dress Form Tag with the paper of your choice.  I inked the edges of my paper. 
  
Cover the largest set of wings from the Wings Assortment with gold embossing powder. Once the wings have cooled off attach them to the back of the tag using a strong adhesive. 

 Cover the base of your Flourished Heart Frame with DIna Wakley Media Paint in Blushing.  This is a bold pink and I used a wash of cheap brown acrylic paint to tone it down for this project.  

Cover the top of your frame with Finnabair Paint in Royal Red.  While the paint is still wet cover the heart with Distress Embossing Powder in Vintage Photo.  This makes the heart look old and kind of crusty.  Perfect for this project.     


Glue your frame together and attach it to the dress form tag.  Finishing the main part of the piece just took using a Tim Holtz Chip word that I banged on the side of my desk to ding it up.  Vintage photo Distress Ink covers the chip word.  
I used an old spindle to make my base.  I stuck a Tim Holtz Memo Pin in the top and then wedged the finished project into it.  I love the look of sari ribbon for making bows.  This one has a large off white bow and a smaller pink bow to cover where the pin got stuck into the spindle. 
The spindle is fun because you can just pop this piece out and change it up for the season.  
Enjoy! 





Sunday, February 18, 2018

Lucky Irish Lass Four Leaf Clover Greeting Card

Hello friends and fellow crafters! I'm wishing you the luck of the Irish today with this fun and festive greeting card.

I just love having holiday themed chippies from GSL to create with because it allows me to scrap my stash and create great cards and decor.
This larger frame is just perfect for big cards like this one...it really fills in the space generously.
I've substituted 4 leaf clovers for leaves in the flower arrangement and layered them up with twine and seasonal embellishments.

Speaking of luck....an upturned horseshoe will catch all the luck and good tidings : )
I think this card would make a great addition to holiday decor displayed with fun and festive seasonal items : )
I used my favorite embossing powders to finish the chippies before I added them to this card. A few coats of Stickles are added for  super glittery and shiny four leaf clovers : )

Gypsy Soul Laser Cuts~ 4 Leaf Clover Set (coming soon), Feeling Lucky Shape Set, Round Grapevine Frame.